Andreas L. Hofbauer
Ersatzkaffeelesen
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Surrogate Abolition
I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Emma Waltraud Howes
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Donatien Grau
A Life in Philology
Sina Dell’Anno
Punk / Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
A. L. Kennedy
What is an Author?
Kai van Eikels
Do in What's Doing, Democracy in!
Marlene Streeruwitz
Der Autor ist nicht die Autorin
Zoran Terzić
The Grand Generalization
Mengia Tschalaer
Queer Spaces
Jean-Luc Nancy
Nach den Avantgarden
Zoran Terzić
The Tautomaniac
Alexander García Düttmann
Kalte Distanz
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Hans Block, Moritz Riesewieck
What we don’t see
Barbara Basting
Der Algorithmus und ich 7
Thomas Huber
Generation of the Lynn Hershman Antibody
Barbara Basting
Der Algorithmus und ich 6
A.K. Kaiza
Eine kommentierte Geschichte Wakandas
Jean-Luc Nancy
Zah Zuh
Dietmar Dath
Your Sprache Never Was
Maël Renouard
Fragmente eines unendlichen Gedächtnisses
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dieter Mersch
Digital Criticism
Rolf Bossart, Milo Rau
On Realism
Ann Cotten
Dialoge
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Bruce Bégout
The Man from Venice
Artur Zmijewski
Conversation on “Glimpse”
John Donne
Paradox I
Haus am Gern
L’œuvre d'art n’a pas d’idée, elle est idée (Blog1)
Barbara Basting
Der Algorithmus und ich 4
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system TRAPPIST-1 beschäftigt, antwortet mir kürzlich einer, als ich anmerke, dass es ohnehin egal sei, auf...
This book told me just what I had to know before I flew. Flying came more easily and I mastered its intricacies as quickly as my ideas come up during...
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
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»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.