Marie Glassl, Sophie Lewis
Surrogate Abolition
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
Barbara Vinken
Geistige Mütter
Andreas L. Hofbauer
Ersatzkaffeelesen
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Emanuele Coccia
Le futur de la littérature
Donatien Grau
A Life in Philology
Claire Fontaine
Vers une théorie du matérialisme magique
Kai van Eikels
Macht kaputt, was Demokratie kaputt macht
Felix Stalder
Feedback als Authentitzität
Felix Stalder
Feedback as Authenticity
Tom McCarthy
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens
Mehdi Belhaj Kacem
Tombeau pour Guy Debord
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Lars von Trier im Gespräch mit Mehdi Belhaj Kacem & Raphaëlle Milone
Michael Heitz
Wong Pings "Who’s the Daddy"
Johannes Binotto
Shrewing the tame
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Sina Dell’Anno
Oratio Soluta
Zoran Terzić
Transplants politiques
Jean-Luc Nancy
Zah Zuh
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Dietmar Dath
Your Sprache Never Was
Stephen Barber
Krieg aus Fragmenten: World Versus America
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Diane Williams
Bang Bang on the Stair
Artur Zmijewski
Conversation on “Glimpse”
Bruce Bégout
The Man from Venice
Rolf Bossart, Milo Rau
On Realism
Hendrik Rohlf
Richard Prince (Book)
Damian Christinger
Huelsenbeck (Book)
Haus am Gern
L’œuvre d'art n’a pas d’idée, elle est idée (Blog1)
Luc Meresma
Capt. Norman MacMillan (Book)
Facebooks Bilder-Waschtrommel erinnert mich derzeit an meine erste China-Reise vor einem Jahr. Ich war beeindruckt: So viele Hochhäuser, so viele...
Ich sitze in der Lobby eines Hotels in China. Zum Hotel inmitten einer toskanisch anmutenden Landschaft, in das ich mit...
Kürzlich wollte Facebook mit mir feiern. Zu dem Zweck hat das Unternehmen mir einen Eintrag auf meine Pinwand gepostet, die...
Der Facebook-Algorithmus hat mitbekommen, dass ich was mit Kunst und Museen habe und setzt mir aus dem Pool meiner früheren...
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
L’œuvre d'art n’a pas d’idée, elle est idée
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...
A for Anomie
The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.
Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.
B for Block or Blocked
If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...
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»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.